Movies

[UPDATE (April 15, 2008): See the NCSE’s “Expelled Exposed” website for a look at the deceptive tactics of the filmmakers and the real facts that they aren’t showing you.] In February, the movie “Expelled: No Intelligence Allowed,” starring Ben Stein, will be released. [UPDATE: The release was delayed until April 18, possibly due to copyright infringement worries.] The film apparently argues that intelligent design is being wrongly excluded from public school classrooms, despite the fact that intelligent design is rebranded creationism and is a religious view without scientific support. There is no scientific theory of intelligent design to be taught in schools–it doesn’t exist. The advertising for the film says that P.Z. Myers appears in the film–but he was not interviewed for a film called “Expelled,” but for an apparently fictional project called “Crossroads: The Intersection of Science and Religion.” Mark Mathis, a producer for Rampant Films, contacted Myers, and he agreed to appear in that film. Now, as it turns out, Mathis is an associate producer on “Expelled." Myers writes: Why were they so dishonest about it? If Mathis had said outright that he wants to interview an atheist and outspoken critic of Intelligent Design for a film he was making about how ID is unfairly excluded from academe, I would have said, “bring it on!” We would have had a good, pugnacious argument on tape that directly addresses the claims of his movie, and it would have been a better (at least, more honest and more relevant) sequence. He would have also been more likely to get that good ol’ wild-haired, bulgy-eyed furious John Brown of the Godless vision than the usual mild-mannered professor that he did tape. And I probably would have been more aggressive with a plainly stated disagreement between us. I mean, seriously, not telling one of the sides in a debate about what the subject might be and then leading him around randomly to various topics, with the intent of later editing it down to the parts that just make the points you want, is the video version of quote-mining and is fundamentally dishonest.Eugenie Scott of the National Center for Science Education reports a similar experience–she also was interviewed for “Crossroads." The producers of this film are sleazeballs. This kind of technique is already at or beyond the ethical edge for a comedy film like Borat, but to do this for a film that purports to take on a serious issue–and pretends to be on the side of God–is well past any such boundary. If, as has been suggested, this film is going to argue that belief in God is necessary for moral behavior (a falsehood), the behavior of the producers proves that it is not sufficient. The lesson for the future: Do not sign an agreement to be interviewed for a film if the agreement contains language that says they can use “…footage and materials in and in connection with the development, production, distribution and/or exploitation of the feature length documentary tentatively entitled Crossroads…and/or any other production…” That “and/or any other production” is a big loophole that will be exploited. UPDATE (August 23, 2007): Ed Brayton observes that two of the alleged controversies that “Expelled” will cover are bogus claims of persecution–the denial of tenure for Guillermo Gonzalez and the alleged martyrdom of Richard Sternberg. Ed notes that he has an article coming out in Skeptic magazine in February 2008 which will debunk the Souder report about the travails of Sternberg at the Smithsonian (a subject he has already written extensively about on his blog–linked to from the articles at my blog under the “Richard Sternberg affair” category). UPDATE (December 18, 2007): Ed Brayton points out that a new argument from the Discovery Institute for why Gonzalez shouldn’t have been denied tenure actually undermines that claim. UPDATE (February 10, 2008): John Lynch has a nice visual diagram of Gonzalez’s publication record. ...

Tonight I attended the Goldwater Institute’s screening of the HBO documentary “Mr. Conservative," a biography of Barry Goldwater produced by his granddaughter, CC Goldwater, who was in attendance along with Barry Goldwater Jr. The audience was a mix of people who still call themselves conservative, libertarians, and even a few liberals. (Gary Peter Klahr sat directly behind me, and his question in the Q&A session was what Goldwater would have thought of the Bush administration’s power grab and war in Iraq. Barry Goldwater Jr.’s answer was that his father disliked foreign entanglements and supported the Constitution.) The film features footage and photographs taken by Barry Goldwater himself–the film notes that he always had a camera in his hand, and at least three books of his photographs have been published. He was born in Arizona prior to its statehood, to a Jewish father and an Episcopalian mother–which led to one quip from Goldwater reported by Robert MacNeil in the movie: “He would say things like, ‘I went to a golf club where they wouldn’t let Jews play, and I said, “I’m only half Jewish. Can I play nine holes?’" The movie features interviews with people ranging from George Will, Barry Goldwater, Jr., and Sandra Day O’Connor to Ben Bradlee, Sally Quinn, Al Franken, Julian Bond, and Hillary Clinton. Also featured is the exceedingly evil Jack Valenti. The film covers Goldwater’s life in Arizona, including his mother teaching him to shoot guns, his coming home from the University of Arizona to run the family store in Phoenix so his smarter older brother could stay at Stanford, his love of ham radio and flying airplanes (he would hear on the radio of medical emergencies among the Hopi Indians and personally deliver medicine from Phoenix–and this during his political career). He was a very early runner of the Colorado River (in 1940 using wooden dories–when fewer than 100 people had run the river; Goldwater was #73). He ran the river with camera equipment, making a film which he traveled about Arizona to show, which made him well-known before running for office. He won his first election to the Phoenix City Council, and went straight from the City Council to the U.S. Senate. In his later life, he was outspoken in his support for a woman’s right to abortion, for gays to serve in the military, and for the religious right to stop pushing their religious views into politics. The film reveals that he supported his daughter obtaining an abortion before Roe v. Wade, and that he has a gay grandson. Several of the more liberal interviewees say that they thought Goldwater became liberal later in life (and some in the audience seemed to have a similar view), but Goldwater himself is shown making a statement that preempts this claim, back in 1963–that he is a conservative, but that at some time in the future people will call his views liberal. He was a supporter of individual liberty who wanted the government’s role in private life minimized across the board, on both economic and social issues–it wasn’t he who changed, but the political environment that changed. I recommend the movie–it is well done, it fairly points out his foibles and flaws as well as his strengths. It is sad that there are virtually no politicians today who are as forthright, honest, and outspoken about their views–who are as genuine as he was. We need more people in the public sphere who speak out with integrity and honesty, rather than with dissembling and spin. UPDATE (August 17, 2007): I glossed over Goldwater’s negatives in my last paragraph, but the film doesn’t. It reports on how he lost the 1964 election in the biggest landslide in history, and why–including his opposition to the Civil Rights Act of 1964 (though he supported the Civil Rights Acts of 1957 and 1960, supported the Arizona NAACP, and helped desegregate the Arizona National Guard), his remarks about the use of atomic weapons for defoliation in Vietnam, and his remark about sawing off the eastern seaboard of the U.S. and letting it float away. LBJ’s political ad graphically depicting the latter remark and his famous “Daisy” mushroom cloud ad are shown in the film. Goldwater’s reaction to the latter is reported as saying that if he thought that accurately depicted what he would do, “I wouldn’t vote for me either." A few other points of interest in the film: Goldwater was a friend of John F. Kennedy, and they were looking forward to running against each other in the 1964 election, flying from city to city on the same plane together to campaign against each other face to face. That would have been an interesting match up. (I should note that my opinion of JFK is not as positive as the general public’s view, after having read how he made use of the CIA. He was one of the worst abusers of the CIA for interventions in attempt to overthrow the governments of other countries who ever sat in the White House.) Barry Goldwater Jr. was a long-time friend of Nixon White House counsel John Dean, and Dean consulted with Goldwater Sr. before testifying in front of the Senate about Watergate. Goldwater told him to go ahead and nail Nixon, because Nixon was a liar. During Watergate, Goldwater, whose wife had decided to remain in Arizona, spent much of his time in D.C. at the home of Lt. Gen. William W. Quinn and his wife Bette. The Quinn’s daughter Sally was a journalist engaged to Ben Bradlee, publisher of the Washington Post. Bradlee reports that Goldwater told him that he thought Nixon was going to resign, but not to publish a story about it because if he did, Nixon was so stubborn that he’d then refuse to do it. The Wikipedia page on Goldwater is quite comprehensive. UPDATE (August 18, 2007): Apparently the golf story is apocryphal. The discussion page on Goldwater’s Wikipedia entry says “In his autobiography, ‘Goldwater,’ BG attributes this joke to his brother Bob, speaking about HIS brother Barry at ‘a golf pro tournament near Los Angeles.’ B. Goldwater adds, ‘The story got a big laugh, but the incident never occurred.’”

Edwin A. Abbott’s classic story has been turned into a movie, and it’s received a rave, 5-star review from Film Threat. It’s going to be available this spring on a DVD which includes the original text (though you can also find that online, as it’s in the public domain). This animated film features the voices of Martin Sheen as Arthur Square, Kristen Bell as Hex, Tony Hale from Arrested Development as the King of Pointland, and Michael York as Spherius. Joe Estevez, Martin Sheen’s brother, is Abbott Square–although he’s been doing tons of movies (IMDB shows 160 titles, 22 of which are dated 2006 or 2007), I haven’t seen any since MST3K covered 1990’s “Soultaker." If you check out the movie website, you can register for a discount on the DVD when it becomes available. UPDATE (March 20, 2007): Thanks to Gourami118, who points out in the comments that there are two Flatland movies. The five-star Film Threat review is of this movie by Ladd Ehlinger, Jr., which completed in January and is already available on DVD in a limited run of 1,000 copies. Call this one “Flatland: The Film” (based on its website), while the Martin Sheen one is “Flatland: The Movie.” ...

Adrienne Shelly, an actress who starred in Hal Hartley’s films The Unbelievable Trust and Truth, was found dead in her NYC office by her husband. She was 40. Shelly, an agnostic, was a writer and director of independent films as well as an actress. UPDATE (November 7, 2006): A 19-year-old worker, Diego Pillco, who was helping renovate the Manhattan apartment that was Shelly’s office, has confessed to killing her and hanging her from the shower rod in the apartment bathroom. Very sad. UPDATE (February 18, 2007): Adrienne Shelly’s murder has now been fictionalized into an episode of Law & Order that aired last week, titled “Melting Pot.” The episode is really a mix of Adrienne Shelly’s murder and Theo van Gogh’s murder after making the film “Submission” with Ayaan Hirsi Ali–the character Erin Garrett is a combination of Shelly and Hirsi Ali. She is found hanged in her film office, and to have recently made a documentary film called “Fire Under the Veil.” (Shelly and Hirsi Ali are both known for being atheists, but atheism doesn’t factor in the Law & Order episode.) This may be the first time when the murder of someone who appeared on Law & Order was fictionalized in an episode of the show. She appeared in the episode “High & Low” in 2000. ...

This is a very funny video of Siskel and Ebert shooting promos for their movie review show (“Siskel and Ebert and the Movies”) in 1987, between which they good naturedly diss each other and then go after Protestants, who “don’t get enough shit.” They start ripping on each other at about 5:36, and on Protestants at about 9:00. (Hat tip to Dave Palmer on the SKEPTIC mailing list.) ...

Mel Gibson, whose idiotic views on evolution and the role of women resulted in more hits to this blog than any other post, was arrested in Malibu on suspicion of driving under the influence. Historical Comments Einzige (2006-12-09): I wonder if he went crazy and started rubbing his own feces all over himself like he did in South Park Colorado that one time.

I had the privilege of viewing this film, “One Got Fat,” two or three times in grade school in the early-to-mid seventies. It’s the story of Filbert, Nel, Stan, Mossby, Rooty, Floog, Orv and their friends–all creepy monkey-faced humans–who bicycle ride to a park nine blocks away, all but one coming to an unpleasant end. (Hat tip: Radley Balko at The Agitator.)

If the online trailer is any guide, then Special looks like it will be a pretty good–though cringe-inducing–film. I can’t find a release date anywhere, though. UPDATE by Jim Lippard (August 2, 2009): Looks like it never saw theatrical release, but I just watched it on Netflix-on-Demand via TiVo HD. It was pretty good–not fantastic, and indeed occasionally cringe-inducing, but far better than many films that make it to the theaters.

Dan Savage has a great op-ed at The New York Times on these two movies, neither of which he’s seen. A key paragraph, in which Savage points out the inconsistency of evangelical Christians who have complained about gay actor Chad Allen portraying a missionary in the latter movie: Sometimes I wonder if evangelicals really believe that gay men can go straight. If they don’t think Chad Allen can play straight convincingly for 108 minutes, do they honestly imagine that gay men who aren’t actors can play straight for a lifetime? And if anyone reading this believes that gay men can actually become ex-gay men, I have just one question for you: Would you want your daughter to marry one?

Endorsed by Jesus.