I finally had a chance today to watch the Creation Ministries International-funded film, “The Voyage That Shook the World.” It’s a 52-minute, professionally produced docu-drama. The cinematography is excellent, and there are high-quality graphics and effects. There’s not a whole lot of acting to judge–most of it appears for visual effect during narration or interview voice-overs–but I saw nothing to criticize in that regard.
The documentary content itself starts off reasonably, with the only initial hint that this might not be a mainstream production being the emphasis put on Darwin “making up stories” as a child. The first experts to appear are professional historians. Apart from H.M.S. Beagle having the wrong number of masts (two instead of three), I didn’t notice any obvious mistakes in the history, though I’m no expert.
Where it first veers into creationist territory is when the narration starts talking about Charles Lyell’s influence on Darwin, with regard to uniformitarianism and “deep time,” and it makes an odd assertion that the great age of the earth was a settled question in Darwin’s time, unlike today. That’s an odd assertion since the age of the earth is overwhelmingly confirmed by science today, and there is no scientific debate about the earth being about 4.5 billion years old. (Particularly odd was that this remark came from historian Peter Bowler, I believe, which makes me wonder about the original context of his remark.)
Several creationists and intelligent design advocates appear, though they are not identified as such. A CMI web page about the film does show who’s who, but this is perhaps the most deceptive aspect of the film–using on-screen credential identification that puts recognized experts with well-established reputations on a par with relative unknowns without established reputations. For example, creationist Rob Carter is identified on-screen by where he earned his Ph.D. and as “marine biologist and geneticist,” but he has no academic appointment, a scant publication record, and works for CMI. Stuart Burgess is identified as “Design & Nature, Bristol University” but he’s a mechanical engineering professor at Bristol University. (UPDATE: Note that Burgess’ title is, in fact, Professor of Design and Nature.) Emil Silvestru is identified by his Ph.D. and as a “geologist and speleologist,” but he works full-time for CMI. Cornelius Hunter of the Discovery Institute is identified by his Ph.D. and as “molecular biophysicist and author” when he is an adjunct professor of biophysics at Biola University. That institution was originally known as the Bible Institute of Los Angeles, founded in 1908 by Lyman Stewart of Standard Oil, the guy who funded the publication and distribution of The Fundamentals: A Testimony to the Truth, from which fundamentalism gets its name. I consider this to be a deceptive equation of expertise, for which the film deserves criticism. (I gave the same criticism to “The Incredible Discovery of Noah’s Ark,” which used the same technique to equate creationists with little or no reputation with recognized experts.)
Creationist Emil Silvestru argues for a young earth and for the creation of geological features by catastrophic flood, though I noticed he mentioned “a flood” and not “the flood” at first, and while he mentioned the Channeled Scablands of eastern Washington as having been cut rapidly by catastrophic forces (true), he did not make the common grossly mistaken creationist assertion that this is how the Grand Canyon was formed. Silvestru also makes a polystrate tree fossil argument for rapid deposition (which may well be the case in the particular instance, but is not generally the explanation for polystrate tree fossils).
The creationism starts out fairly subtly in the film, with the remarks about the age of the earth, and at one points sets up a novel opposition between two views:
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